top of page
London Theatre Doc

House of Cleopatra: Edinburgh Fringe 2024 Review




House of Cleopatra is not like a lot of the “history retold” musicals, such as Six,

we’ve seen recently. It’s a club-like, queer, immersive romp through the tempestuous

relationship between Cleopatra and Mark Antony. On his return from a winning battle

in Rome, Mark Antony arrives to a grand celebration hosted by his adoring partner

Cleopatra and her doting subordinate, Iris. As members of the party, the audience,

greeted by the fabulous Mistress of Ceremonies, found ourselves absorbed and

experiencing a real sense of adoration, deception and loyalty. With banging club

music and epic dances, you are transported to a queer ‘Paris is Burning’-esque

nightclub, with masses of sex, straps and even more drama. Directed by Tuckshop

creator Chris Clegg, the show creates a hypnotic fever dream. Fuelled by an

incredibly talented cast overall, special mentions must be made. Emilie Israel, the

ultimate Queen of the party, is a powerhouse whose vocals would delight the asp off

anyone. Then there’s Octavian, played by Harry Singh; A whirlwind who enters the

room oozing pure charisma, decimates the would-be competition, before a swift mic-

drop exit. For the drag race fans, the delightful and hilarious River Medway provides

never-ending sass as the Mistress of Ceremonies. While you may think a musical

masquerading as a pumping, queer nightclub experience would be exhaustingly

energetic experience aimed at only a younger audience, you’d be entirely wrong. Even my 71-year-old mother needed no encouragement to enjoy herself – she danced the night

away, has now learned to tongue pop, and left infected by an energy she attributes

to her inner Queen.


Venue - Assembly Checkpoint at 2315 until August 25th



38 views0 comments

Comments


bottom of page